
Day 34.
A Faint Signal In Manhattan.
It's been ten days since Justin was lost during production. Everything went on as normal, of course, but I started to fear what might be happening. He did have my shoes at the time, and I loved those shoes. I guess the rest of him is worth saving, also, but that's beside the point. During production in New York we were all given GPS indicator systems to activate if we ever became lost. They were injected into the back of our neck, which was inconvenient because the "On" button couldn't be reached unless you pulled it out again. Which would be very painful.
But the signal was activated. A man, General R. Lee Ripstein, was sent to Sydney with us to monitor the recovery process. He was a lazy man when nothing was required of him, and for ten days it went absolutely nowhere. Then a beeping sound. Ripstein thought that meant his Pizza Pop's were finished in the microwave, but I realized it was the signal. Justin was alive, and in Manhattan, and conscious enough to activate the system. Fernando was there with us, and he didn't seem very concerned.
Fernando: Is this mission cost coming out of the film budget?
Brandon (Me): Yes, sir, very much so.
Fernando: Forget about him, then. I don't want to lose that crane shot I had planned.
Brandon: But Fernando.
Fernando: It comes out of your pocket or no pocket!
So I spent a thousand dollars on the American Powerball, won 300 million dollars, and went on with the mission and Ripstein, who was clinically insane.
Ripstein: We need to break down this entire city, Manhattan, or whatever it's called. We need read-out's and vertical break downs and machine guns and killers and everything!
Brandon: Or we could just buy a map at the airport.
Ripstein: Yes, yes of course. But that wouldn't be any fun.
So we went to the local K-Mart (Yes, they have one in Sydney, it is very small.) and went into the gun section. It, being an American store, was stocked with a vast panoply of weaponry. So Ripstein and I settled on buying an array of Laser-Fire Auto Super Cannons. They shot these strange little caseless beams that could burn through any surface. Which, you would think, meant that it would burn clean through the surface of the Earth, but we were told otherwise.
K-Mart Employee: No, they have a super-laser deterrence system which causes the laser shot to eventually stop going forward. It defies physics, of course, but it's only a movie.
Brandon: This is real life, this isn't a movie.
K-Mart Employee: Why are all the camera's here?
Brandon: That's the documentary crew we hired to chronicle or mishaps and adventures for a movie. But I don't think this will make it into the DVD. Buying thirty lethal weapons to travel to America and kill things is thought of as being... illegal.
Ripstein: F*cking liberal bastards.
K-Mart Employee: Really? This isn't a movie. I was so sure... I can't live anymore.
He later committed suicide. But we bought the weapons for twenty seven dollars, thanks to a sponsorship clause that we'll include the guns somewhere in the movie. So with three hundred million dollars, less twenty seven, we went out to hire a crew. Being a nihilist and a film-maker I knew that we had to hire the cliche crew of Marine's, or volunteers (whichever was cheaper), to go on our quest. So we went out to audition.
No, This Still Isn't A Movie.
Ripstein was convinced that we needed a token black man for the squad. His name was Bruce and he was a socialite from Sydney, and a very wealthy man. He volunteered his services because he thought it would lead to a role in the Watchmen film. Sadly it didn't. For some reason Ripstein insisted on calling him 'Shaquain', and his 'brother'. Bruce died inexplicably the day we hired him because of food poisoning. The doctors would later claim that it was from the bucket of Fried Chicken that Ripstein forced Bruce to eat. He found it hysterical. We didn't pay his family and our lawyer covered up the mess.
The second man we hired was named Elias Stephenson. Ripstein called him White-Bread. He didn't have a reason but the nickname stuck. He was tall, handsome, and had strange cutting blue eyes. He was also very adept with weapons, being a model and an avid reader of Bret Easton Ellis novels. We didn't ask very many questions and he would often strike poses in situations that didn't require them. He was perfect.
The third recruit was Chang Chung. He was Chinese and very dignified. But he was also a master of Martial Arts and had known Ripstein from a past meeting in something Ripstein referred to as "Effin' Chinese Invasion". He was nicknamed Chang Chung. Ripstein was convinced that Chang could hurl ninja stars and would constantly try to get him to throw some. This would lead to quite a few cuts on Chang's hand. But Ripstein just bandaged him up and continued auditions.
The fourth member was Henry Berger, he was eighteen years old and very spry. He was a very funny young man and would constantly crack jokes about a certain Rabbi Shmuley and his hilarious group of back-up singers. We figured he was the plucky comic relief. Which is why we theorized that he would live for most of the mission but would eventually die when cracking some emotional joke and passing on. Only time would tell.
The next man who entered was Steven Wright. The actual actor. He was sweaty and deadpan. For some reason he was also very good with a gun, and would come to call it "Lassie."
Steven (Wright): That was the name of my dog. It never yelled at me or called me fathead. I loved that dog.
Ripstein: I'm going to yell at you and call you fathead.
Steven: Well then I love you too.
Then we were off.
Six Men, One Plane, One Bathroom, No Prisoners.
I rented a jet from the Low-Brow Hi-Sky company based out of Sydney. The plane was a little rickety and cheap but it served it's purpose. Sure, Steven was forced to duct tape the wing back on a few times and actually did serve as the wing for the crash landing, but we made it out okay. Ripstein noted that it was lucky Bruce wasn't on the plane otherwise he probably would've died. I called Ripstein a racist.
Ripstein: Sue me, producer boy... Now, Fathead, go out there and be that wing again.
Steven: Kiss me.
Ripstein: You start up that 'kiss me' shit again and I'll pound your vagina with my fist 'til you can't feel pleasure anymore.
Steven (To Me): Is he always like this?
Brandon: No, his pillow talk is much more fresh.
After crashing in JFK Airport, we all got out of the plane and moved into the city with weapons in hand. Being New York, no one really flinched at the fact that we were wielding giant guns that fired off lasers. Ripstein also bought a missile launcher device that was shoulder mounted and could 'Take out a whole damn city, just make sure you aren't standing in it.' Which is a fundamental paradox, of course, but I didn't want to argue with a suicidal K-Mart employee.
New York At Night.
The critters were out, the moon was out, and we were drunk and armed. It was your typical night in New York. So we walked along the streets quietly, Ripstein was following a GPS readout system that would beep, less frequently or more frequently, depending on how close we were to Justin. It was an annoying sound but it works as a cinematic indicator device to foreshadow an oncoming threat of movement. It was all in the manual but I didn't take the time to read it.
Ripstein: The signal is beneath us now, it must mean Justin's in the sewers.
Elias: I am not taking my Gucci's down there, boys. This stuff is not worth the eight bucks and a hooker.
Steven: You guys got a hooker out of the deal?
Chang: They gave me buckets of chop suey.
Brandon: That's beside the point, we need to find Justin.
Henry: Why, though? It'd be so much more cost effective to just stay home and let him find his way back... Did I ever tell you about the time the rabbi tried to get back-up dancers?
Chang: Yes, eleven times. Now please, shut the f*ck up.
The manhole was opened, Henry made a wisecrack about male assholes, and we were inside the anus of New York. It didn't smell very good, as you'd expect, and we were about to encounter the greatest horror this city has to offer: [Censored until dramatically impactful]
Long corridors of darkness lead in all directions. Faint light would pour in through the manholes providing a path to follow every hundred feet or so. We continued out, with guns ready, and the beeping steady in our ears. Henry made a few more well timed wise-cracks:
Henry (Continuing): So the doctor said to the hooker. 'You need to buy a 'Closed' sign, bitch --
The ground fell out from underneath us. We plummeted hundreds of feet, or so it seemed in the darkness, and finally landed in a pile of shit. A literal, actual, pile of shit. Elias wasn't very happy and pulled out his shitty handkerchief to clean the shit from his face. It was a fierce cycle of uncleanliness as he seemed to only smear it around. Steven accidentally hit his gun off of the ground and activated a flashlight armed on the weapon.
Ripstein: That wasn't in the manual.
We activated the flashlights. The sight unveiled was horrific, and incredibly cost-effective. A single maimed and raped human body rested across the floor. We flipped it over and, to my horror, I realized it was Alf the cab driver. Despite being savaged anally he had a peculiar smile on his face when he died. The beeping was becoming incessant, so we knew we were close. That is when the first horrific event occured.
A hobo lowered from the ceiling and plucked Steven Wright up from the ground.
Ripstein: Fathead! No!
The hobo let out a wild screeching while holding Steven up. It looked at all of us, it's pupils looked like minature slits in the darkness, and it tore Steven's head clean off, and consumed it. Elias screamed and started firing wildly into the air. The bullets would eventually tear clean through to the surface of New York and later kill two astronauts in the International Space Station. His deterrence device was broken.
Chang unleashed a gigantic samurai sword from his back and swung it around wildly. I mean very wildly, he had absolutely no idea that it was there and had no idea how to use it. He swung so wildly, and eventually lost his grip, cutting Elias' head clean off. (This is when most of the women leave the theatre screaming as the only matter of sex appeal had just been killed.) Chang cursed aloud:
Chang: Curses!
Finally Ripstein unleashed the fatal blow to the hobo, and it's body flopped to the floor. Steven was maimed and Elias has suffered a Samurai Warrior death. We were now only four, although we had six guns. Also, the God damn beeping wouldn't stop, so we were obviously getting closer. But now we had the constant threat of wild hobo's. That is precisely when a beautiful female scientist appeared. Her name was Betty. (This is also the point where all of the men in the theatre, since their girlfriends are gone, begin to masturbate wildly.)
Dame Exposition.
Betty: I've been tracking this threat for over five years now. After a mad science experiment gone wrong, a group of Wild Zombie Mutant Hobo's were created and they now live underground. They fear light, and have an insatiable hunger for anal sex and human flesh.
Henry: Sounds like my wife.
Ripstein: You don't have a wife.
Betty: Anyway, they are everywhere. Why are you here?
Brandon: I could ask you the same question.
There was an immediate romance blooming between the two of us. I was sweaty, drunk, and carrying a gun. She was (absurdly) clean, beatiful, and sexy. I knew that, at some point, I'd have to fit a sex scene into this. But it's the sewers and that would be disgusting. So she gave me a quick hand job, as the others watched, and we moved along.
Ripstein: Your form was amazing, Betty, where did you learn to do that?
Betty: My father was in the military.
Ripstein: Oh... I see.
Brandon: We're looking for our producer, he got lost a few days ago and we found his signal.
Ripstein: It's uh, right here.
He handed the device over to Betty and she studied it, the distance, and the direction of the signal. She theorized that Justin is being held, unfortunately, in the den of the hobo lair.
Henry: They have a lair? So technically they aren't hobo's if they have a place of residence.
Brandon: Let's not get technical.
Henry: No, hey, I just don't want to tarnish the good name of hobo's across America.
Ripstein: Will you shut the f*ck up, White-Bread.
Henry: I thought Elias was White-Bread?
Ripstein: He's dead motherf*cker and stop asking questions.
The Hobo Lair.
Darkness, absolute and unflinching. The echo was loud and cavernous and the screeching of crackified hobo's was resonant. They were there, and so was Justin. That was when Ripstein initiated his plan. All of our flashlights were activated and we blasted them into the lair. It was horrifying: Thousands of frigidaire boxes stacked on top of each other. Forming a series of gigantic Hobo Hi-Rise towers. Hundreds of them spread across a vast distance. They were everywhere, and the hobo's were out in power. Hundreds, if not thousands, of eyes started staring at the lights. (This is the moment where John Williams choral music is cued and gives you a great sense of epic scope. This is a low budget project and 80's synth music will have to suffice.)
Ripstein: Unleash hell!
Henry: But I don't have a key.
Ripstein killed Henry by firing a single laser blast in his head. The laser shot would eventually destroy an Italian race car at a FIFA tournament in Europe. His deterrence device was also broken. Hell was then aptly unleashed. We all started to fire into the pit. Hobo's started diving towards us, screeching and yelling wildly. Betty picked up a gun, and fortunately had time to pull her hair back into a ponytail (to bitchin' effect), and started firing. She was the best shot of the bunch and killed at least a hundred Hobo's.
It was silent, and the Hobo Hi-Rise Towers were all burning. So we decided to lower ourselves down into the lair, among the dead Hobo's, to try and find Justin.
Ripstein: Justin!
Betty: Justin!
Brandon: Justin Graham!
Chang: How many Justin's do you think are in this lair?
A Hobo popped up from behind a box, hissing out words:
Hobo: My name is Justin.
I shot him. Mainly because I wanted to be able to yell 'Justin Graham' without interference. That and I wanted to prove Chang wrong. That is when the flying Mutant Zombie Hobo's appeared. They swooped in from above, screeching and swinging wildly. They hurled fecal matter (aka gobs of shit) and urinated on us. They moved too fast, we couldn't hit them, and Chang was plucked up into the air. Being a cowardly bastard he set off a grenade, because he didn't want to be anally savaged or eaten. The explosion sent us a few hundred feet across the lair, slamming through hundreds of Hobo-boxes and Zombie Mutant Hobo corpses.
We landed on another pile of shit, now a man short, and moved on.
Betty: I have a plane waiting in the tunnels on the far end of the lair. If we can get to it, we can survive!
That's when another Hobo went to pull Betty into the air. He was quickly gunned down by an unseen force. It was Henry, still alive, even with a laser hole piercing the side of his head.
Henry: Now, finally, the rabbi said to the back-up dancers --
Ripstein shot him again, and also killed a bird in Iceland. This time he was dead, but he started beeping. I ran to investigate and discovered a bomb strapped to his chest, it had a smilie face glued to the surface. It also had a note: "Much love, from Pookie." It was ticking down.
00:00:59
And counting... We made a break for it as the Zombie Mutant Hobo squad started to form into a chasing cluster again. Suddenly we stepped over something, it was a pile of something, in fact. A pile of Justin.
Justin: Guys! Hey, guys, help!
Brandon: F*ck you man, we're running!
Betty and I ran off towards the plane. Ripstein turned back, lifted Justin's emaciated body over his shoulders, and started running.
Ripstein: Come on motherf*cker!
Justin: Thanks, I could've run but my ass is killing me.
The plane was, in fact, resting right on the border of the lair. We climbed up a steep rock wall, with Ripstein right behind us, and started to prep the plane. A female voice, for some bizarre reason, started talking:
Plot Device Woman: You have twenty five seconds to evacuate.
Brandon: Shit, we've gotta go!
Ripstein tossed Justin into the airplane and moved to close the hatch when a Zombie Mutant Hobo reached in and pulled him outside. He started screaming wildly as Justin limped to the door and slammed it shut.
Justin: Call me motherf*cker? Bastard.
Betty: Get it sealed, we're moving.
Betty and I dropped into the cockpit and activated the plane by randomly jamming buttons.
Plot Device Woman: You have fifteen seconds to evacuate.
Brandon: Betty, punch it!
Justin: Where is that coming from!?
The plane zipped off. Somehow maneuvering through the Hobo-Lair as if it was the open skies. We tore through the main tunnel and slammed through the surface of the New York streets, taking a cab with us.
Plot Device Woman: Five... Four... Three... Two...
Henry had a last moment to murmur.
Henry: We'll meet again.
An explosion rocked through New York City, rupturing the sewers and causing fecal matter (even more gobs of shit) to be launched hundreds of feet in the air. The entire city was covered. But Betty, Justin and I were okay, and sailing off in the plane back for Sydney.
Come Sail Away...
As a means of celebration, Betty and I were moving to the back of the cabin to have sex properly in a more idyllic setting (that and I was interested in joining the mile high club). But Justin stopped us. So both Betty and I sat in the chairs of the private jet and listened to him speak.
Justin: Look, you guys, I encountered a great many things on my journey. But it all comes down to this... Thank you, thank you for saving me and thank you for bringing me back.
Brandon: Don't worry about it man, it's cool.
Justin: Who is this woman?
I turned to introduce Justin to Betty, but something was wrong. She smiled, and then her face crinkled in a way I recognize only as determination (also reminding me of the hand job). Suddenly a craggy old boot was thrust through her chest, from the back of her chair. She screamed and started spitting out a white milky substance that I recognized the scent of (reminding me of the hand job, and finale, again.) That's when she was lifted into the air and torn in half by Ripstein. But this was no ordinary Ripstein, it was Hobo Zombie Mutant Ripstein with red eyes, a terrible smell, and poorly cleansed teeth.
Justin quickly ducked to the ground as I scrambled for a handkerchief to clean off my jacket. But Ripstein was determined to kill Justin for some strange reason. So Justin, being incredibly swift, ripped a cover from the floor of the private jet and hid in the storage compartment below. I distracted the attention of Ripstein. He made eye contact with me, and I with him, and we were locked in a Super-Ultra Staring Match of Death. That's when I made a mad dash for the bathroom and slammed the door shut.
Outside Ripstein turned back to the floor where Justin was hiding, whimpering like a little girl. Ripstein smashed his hand through the floor and grabbed at Justin, he missed. He did it again in another spot, and missed again... That's when I made my entrance.
I kicked open the bathroom door in dramatic fashion (with suitable backlighting) and stepped out in full bondage gear (which Betty had in the bathroom, probably for such an encounter).
Brandon: Get away from him, you bitch!
We embraced suddenly. And not the fun embrace that usually later leads to sex, the embrace of death. Hobo Zombie Mutant Ripstein and I clashed and smashed around the jet. I slammed into a chair and he jammed his fist clean through the backing. I tossed an ashtray at him and he got a small bruise. That's when we both collided with the hatch of the plane and slammed through it. Luckily the chains of the bondage gear were caught on the handle and I was grasping for dear life. Ripstein was doing the same, trying to tear off my brand new Nike kicks. I wouldn't let them go.
The pressure inside the cabin started to tear things from the inside and hurl them towards Ripstein and I. Another ashtray, a seat, Justin's shirt, and finally a big rubber dildo that Betty had secretly (not so much anymore) kept in her "Fashionably Secret" mini-purse. It slammed Ripstein's forehead and sent him flying off into the atmosphere.
That's when (to the Aliens cue by James Horner) I started to dramatically pull myself back into the plane, grasping at each link of the caught chain. I did this very slowly to milk the time and fit the alotted space the cue provided. Finally the music came to a climax and I fell inside, and slammed the door shut. It was sealed, we were safe, and I was sitting in a pool of my own semen that had just been flung from the mouth of a woman who is now dead.
A Typical Day In New York City.
Justin and I manned the cockpit and watched the clouds approach ahead. It wasn't a blissful reunion but we were alive, and well, and Justin was shirtless.
Justin: We aren't going to tell anyone about this, right?
Brandon: I don't think anyone would believe us... Do you still have those shoes I gave you?
Justin: Oh, no.
Brandon: ...I should've tossed you out that door too.
We flew off towards Sydney, our pseudo home. The sun was on our faces and a rotting corpse was in the back. Somehow Ripstein's Zombie Hobo Mutant body died before impact. He was struck by a laser beam from the gun he fired while underneath Manhattan earlier that day. Apparently it has something to do with cosmic gravity and a random-recursive splicing mechanism or something like that.
Oh, the mysteries of life.






